Review of Sirius Quartet’s Live Show at Club Bonafide & New Album

An Intense, Riveting Album and a Midtown Show by the Sirius Quartet

by delarue for New York Music Daily Jan. 5, 2017

The Sirius Quartet  – violinists Gregor Huebner and Fung Chern Hwei, violist Ron Lawrence and cellist Jeremy Harman – play seriously exciting, tuneful, sophisticated music. They’re the rare newschool chamber ensemble who can strike a chord with fans of heavy rock, psychedelia and jazz in addition to the indie classical crowd. They’re playing on an intriguing twinbill, with special guest violinist Tracy Silverman, tonight, Jan 5 at around 9:30 PM at Club Bonafide that makes more sense thematically than you might think. Longtime Astor Piazzolla collaborator and nuevo tango pianist Pablo Ziegler and his ensemble open the night at 7:30, cover is $15 and the club’s webpage notes with some relish that you’re welcome to stay for both acts at no extra charge.

The Sirius Quartet’s latest album Paths Become Lines is streaming at Spotify,  opening with its title number, a pedal note shifting suspensefully between individual voices, pulsing with a steely precision as the melody develops elegantly and tensely around them. The darkly bluesy, chromatically-charged exchanges that follow are no less elegant but absolutely ferocious.

The second number, Ciel, is a sharp, insistent, staccato piece, in a Julia Wolfe vein. Plaintive cello interchanges with aching midrange washes; it grows more anthemic as it goes on. Jeff Lynne only wishes he’d put something this stark and downright electric on ELO’s third album.

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